Routeur Mimo

Lqg Multiple Input Multiple Output

  • Output Frontier
    "Output Frontier; pair of active studio monitors with coaxial drivers; powered by Barefoot Sound; 6.5"" woofer; 1.25"" tweeter; frequency range: 45Hz to 25kHz; crossover frequency: 3000Hz; LF amplifier power: 100W; HF amplifier power: 100W; input impedance: 20KOhm; sensitivity: 87dB @ 1m @ -15dBv; power output: max. 265W; power consumption in Eco mode: 280mW; Combo input (XLR/jack); RCA input; level control on the rear panel; front bass reflex port and split status LED; MDF cabinet; solid walnut base with natural wood grain; dimensions per monitor (H x W x D): 332 x 230 x 200mm; weight per monitor: 7kg"
  • Jon Taylor The Minimax Teacher. Minimise Teacher Input And Maximise Student Output
    Binding : Taschenbuch, Label : Klett, Publisher : Klett, medium : Taschenbuch, numberOfPages : 96, publicationDate : 2004-06-01, authors : Jon Taylor, languages : english, ISBN : 3125070112
  • Elena Nuzzo L & L - Lingua E Lingue: Input, Output E Interazione Nell'Insegnamento Delle Lin
    Binding : Taschenbuch, Label : Loescher Coedizioni, Publisher : Loescher Coedizioni, medium : Taschenbuch, publicationDate : 2016-10-06, authors : Elena Nuzzo, Roberta Grassi, ISBN : 8820137844
  • Wassily Leontief Input-Output Economics
    Binding : Taschenbuch, Edition : Second, Label : Oxford University Press, Publisher : Oxford University Press, NumberOfItems : 1, PackageQuantity : 1, medium : Taschenbuch, numberOfPages : 456, publicationDate : 1986-12-18, authors : Wassily Leontief, ISBN : 0195035275
  • Dante AVIO Analog Input Adapter 2x0
    Dante AVIO Analog Output Adapter 2x0, Convertisseur AN 2 canaux, Convertit les signaux audio analogiques niveau ligne et les transmet dans un réseau Dante, Résolution: 96 kHz / 24 bits, Boîtier robuste, Interface Dante entièrement fonctionnelle, Niveaux de signal réglables: +24 dBu / +4 dBu / 0 dBu / 0 dBV / -10 dBV (via le contrôleur Dante), Plage de fréquence: 20 Hz à 20 kHz (-/+0.5 dB), Plage dynamique: >100 dB, Rapport signal sur bruit: >100 dB, Distorsion harmonique totale:
  • Harley Benton HBV 870LH/BK Electric Violin Black
    Harley Benton HBV 870LH/BK Electric Violin, Electric Violin, Lefthand / left-handed model, Size: 4/4, Body made of paulownia, Fingerboard & pegs & chinrest made of birch, Composite fine-tuning tailpiece, Line output: 3.5 mm jack socket, Headphone output: 3.5 mm jack socket, Mic input: 3.5 mm jack socket, 1 Tone and 1 volume control, Weight: approx. 700 g, Colour: Black, Incl. case, composite bow, rosin and 9 V battery
  • Thomann SP-5100 / SP-5500 PSU
    Thomann SP-5100/SP-5500, Hemingway DP-201, DP-201 MKII PSU, external power supply. Input 100-240V. Output 12V DC, 3000mA. length ca 1,5m
  • Ibanez TWP10 Twin Peaks Wah-Pedal
    Ibanez TWP10 Twin Peaks Wah-Pedal, Effects Pedal for Electric Guitar & Bass, WahWah, Robust die-cast housing, Switchable bypass, Range switch for guitar and bass frequencies, Controls: Balance, Level, Switch: Frequency range (High/Low), True Bypass, LED: Effect On, Footswitch: Effect Bypass, Input: 6.3 mm Jack, Output: 6.3 mm Jack, Power supply connection: Barrel connector 5.5 x 2.1 mm, centre negative, Current consumption: 6 mA, Power supply via 9 V battery or 9 V DC mains adapter (suitable mains adapter Art.#409939#, not included in scope of delivery), Dimensions (W x D x H): 96 x 202 x 84 mm, Weight: 815 g
  • Ibanez Pentatone Gate PTGATE
    Ibanez Pentatone Gate PTGATE, Effect Pedal for Electric Guitar, Standalone version of the GATE section in the Ibanez Pentatone preamp, Fast response and natural sustain with a single knob control, Switchable threshold value range, 4 Inputs/outputs: 6.3 mm jack, Power supply connection: Barrel plug 5.5 x 2.1 mm, centre negative, Power supply via 9 V DC power supply unit (not included in the scope of delivery, suitable power supply unit: Art.#409939#), Dimensions: 116 x 70 x 63 mm, Weight: 0.455 kg
  • Harley Benton TUBE5 Head Cream
    Harley Benton TUBE5 Head, Tube Head for Electric Guitar, Class-A tube amplifier, 1 Channel, Power: 5 Watts, Preamp tubes: 1 x ECC83 (12AX7), Power-Amp Tubes: 1 x 6V6, Volume and Tone controls, Switch: Power Attenuator 5 W / 1 W, Instrument input: 6.3 mm jack, Speaker output 8 - 16 Ohm: 6.3 mm jack, Dimensions: 310 x 220 x 190 mm (L x W x H), Weight: 5.2 kg, Housing cover: Tolex, Colour: Cream / Beige
  • Blackmagic Design ATEM 4 M/E Constellation 4K
    "Blackmagic Design ATEM 4 M/E Constellation 4K, Live production mixer for Ultra HD with 4 M/E levels, Features 40 scalable 12G-SDI inputs, 24x 12G-SDI aux outputs, four DVE processors, 16 ATEM Advanced Chroma Keyers, four media players, four independent Ultra HD multi-viewers, two SuperSource multi-level processors and much more, Also included are talkback and a professional Fairlight audio mixer with 156 channels, EQ and dynamics control, Compatible operating systems: Mac Big Sur 12,0, Mac Monterey 13,0 or later / Windows 10 and 11, Power supply: 2 built-in AC power supplies for 100 - 240 V, 50/60 Hz (IEC connection cable not included), Dimensions: 482 (19"") x 90 (2U) x 337 mm, Weight: 8.4 kg@+*Connections*, Total video inputs: 40, Total video outputs: 28, Aux outputs in total: 24, SDI Rates: 1,5G, 3G, 6G, 12G, Total audio inputs: 2 balanced 1/4-inch sockets, 1x 32 stereo channels via BNC/MADI input, 1x 5-pin XLR socket for talkback, Total audio outputs: 2 balanced 1/4-inch sockets, 2x 32 stereo channels via BNC/MADI output, 1x 5-pin XLR socket for talkback, Sync input: For Tri-Sync or Black Burst, Video inputs with resync: On all 40 inputs, Frame rate and format converter: On all 40 inputs, SDI video inputs: 40x 10-bit 720p, 1080i, 1080p, 2160p, SDI audio inputs: 2 channels embedded in the SDI output on all inputs, Additional audio inputs: 1x 5-pin XLR socket for talkback, SDI video outputs: 28x 10 bit 720p, 1080i, 1080p, 2160p, SDI audio outputs: 2 channels embedded in the SDI output on all outputs, Additional audio outputs: 1x 5-pin XLR socket for talkback, SDI programme outputs: Any of the 24 SDI outputs, SDI preview outputs: Any of the 24 SDI outputs, SDI multiview output: 4, Webcam output: 1 USB-C port supports 720p or 1080p with PGM frame rates, Remote: RJ12 connection supports RS-422, Control panel connection: Ethernet supports 10/100/1000BaseT, enables a direct connection between the control panel and housing or via a network, Internal time code generator, Talkback: RJ45 for third-party talkback systems, Tally output: Added via Ethernet connection using Blackmagic Design GPI and Tally Interface (not included), Computer interface: USB-C@+*Standards:*, HD video standards: 720p/50, 720p/59.94, 720p/60, 1080i/50, 1080i/59.94, 1080i/60, 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59.94, 1080p/60, Ultra HD video standards: 2160p/23.98, 2160p/24, 2160p/25, 2160p/29.97, 2160p/30, 2160p/50, 2160p/59.94, 2160p/60, SDI interfaces: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B SMPTE 2081 1, SMPTE 2081 10, SMPTE 2082 1 and SMPTE 2082 10, SMPTE 2082 12, Video sampling frequency: 4:2:2, Colour accuracy: 10 bit, Colour spaces: REC 709, REC 2020, Automatic SDI switching: Automatic detection of 1.5G-SDI, Level A and Level B 3G-SDI, 6G-SDI and 12G-SDI@+*Features:*, Upstream-Keyer: 16, Downstream-Keyer: 4, Advanced Chroma Keyer: 16, SuperSource: 2, Talkback support, n-1 support, Linear/Luma-Keyer: 21, Transition...
  • Behringer B1C
    "Behringer B1C; All-In-One portable 200 Watt speaker with battery; Bluetooth audio streaming (TWS True Wireless Stereo); 2 Mic/Line combo inputs (XLR/6.3 mm jack) 2 band tone control per channel and reverb effect; 1x Aux/Bluetooth input (3.5 mm mini jack); 6.3 mm jack TS line output (unbalanced); 200 Watt output power; Equipment: 1x1"" dome tweeter, 1x 6.5"" woofer; frequency response: 60 Hz - 20 kHz (±3 dB); maximum SPL 106 dB; dimensions (HxWxD) 362 x 240 x 290 mm; weight: 7.2 kg"
  • Magix Sequoia EDU
    Magix Sequoia EDU, Audio MIDI Sequencer (DAW) (download)@+*Educational Version:* Requires proof of eligibility, Professional DAW for all aspects of demanding audio productions from recording, mixing and mastering to post-production, broadcasting, audio restoration and much more, Up to 256 inputs and outputs and 999 tracks, Auto-conforming function for synchronising cuts in video and audio recordings, ARA2 support for seamless integration of compatible software, Integration of hardware effects as latency-compensated plug-ins, Professional comping function allows time-saving combination of the best takes, Non-destructive AudioWarp for quick timing adjustments, Marker track for clear and compact management of markers, Support for 3D audio, ambisonics and vector base amplitude panning for comprehensive spatial sound with up to 32 channels, Extended surround workflow including multiple surround masters in one project, Professional source-destination editing for 2-, 3- or 4-point edits in the source material and display of edits in a separate project window, Multi-sync editing with automatic search for musically similar passages, Spectral editing at track level and Cleaning & Restoration Suite for sophisticated audio restoration, Multi-format export for automated export of various channel formats, codecs and other options, Direct and fast connection to current broadcast CMS and automation systems, Switchable multiple outputs, free plug-in routing and virtual VCA faders, Loudness adjustment according to EBU R128/ITU-R BS.1771 with batch processing and export options for DAVID DigAS and SCISYS dira! Highlander databases, Mastering tools such as True Peak Limiter for sMax11, Loudness Metering according to EBU R128/ITU-R BS.1771, encoder preview and DDP export as well as Analogue Modelling Suite Plus, Numerous virtual instruments and effects, e.g. Independence sampler workstation with 70 GB library, Vandal guitar and bass amplifier, Orange Vocoder ME and many more., Avid Eucon S6 Controller extensions, Import and export of CD-A, DVD-A, data CD/DVD, Supported video formats: DV-AVI, MPEG-1, MPEG-2, MPEG-4, H.264, HDV HD1, HDV HD2, MXF, MXV, DVCPRO1, AVC-Intra1, QuickTime, WMV(HD), Includes SpectraLayers Pro, Celemony Melodyne essential, colorFX Suite and coreFX Suite
  • Catchbox Plus Hub Pro
    Catchbox Plus Hub Pro, Two-Channel Receiver, With graphical user interface, RJ45 network connector for Dante, 1.8/1.9 GHz band, Built-in antennas, 1 USB-C line input, 1 3.5 mm mini jack line input, 2 XLR mic outputs, 1 USB-C digital output, 1 RCA line output, Latency:
  • Soundman OKM I Classic Solo D1 black
    Soundman OKM I Classic Solo D1 - Omnidirectional electret microphones with stereo recording adapter (split adapter design), Frequency response microphone: 20Hz-20kHz, Adapter compatible with PC/laptop, Apple, Android with OTG function (except Samsung series), TRS-3.5mm microphone input, Microphone output: USB-C/ cell phone, TRS-3. 5mm headphone output, Microphone pre-amplification: 0-30dB, Headphone amplifier: 125mW, Digital connector: USB-C, Power supply: via connected device (USB), Output voltage:1.5V, System requirements: MacOS Big Sur, Windows10, IOS14, Android 9.0, color: black, included in delivery: Soundman OKM I Classic Solo + adapter with Type C connector (fixed to device) + USB adapter + Lightning adapter.
  • Swisson XPD-28-5R RDM & DMX-Splitter
    "Swisson XPD-28-5R RDM & DMX-Splitter, RDM-Capable DMX Splitter And Booster, Distributes and amplifies DMX signals from two inputs to eight outputs, The 32-limit of the DMX standard can be easily overcome, enabling the creation of star topologies, It can also be used as a repeater to cover longer distances, Ten output modes to ensure that the relayed signals are always recognised by the connected fixtures, 2 Failure behaviours, RDM-capable (bidirectional), Optically isolated, Despite its rich functionality, the XPD-28 remains easy to operate via an encoder and eleven additional push-buttons, Construction: 19"", 1U, Signal distribution: 2 x DMX/RDM in (5-pin) to 4x DMX/RDM out (5-pin) + 4x DMX/RDM out (3-pin), Protocol: DMX 512 / RDM, Power supply: 110 - 240 V / 50/60 Hz, Power connection: Power Twist, Dimensions (W x D x H): 482 x 111 x 45 mm, Weight: 1.7 kg"
  • Modbap Modular Transit
    Modbap Modular Transit, Eurorack Module, 2-Channel Stereo Mixer, Per channel: Gain control, mute button with LED, stereo audio input and ducking CV input, Stereo output with master control, Stereo headphone output: 3.5 mm mini jack stereo, Current consumption: 50 mA (+12 V) / 50 mA (-12 V), Width: 6 U, Depth: 25 mm
  • Tiptop Audio Model 207t
    Tiptop Audio Model 207t, Eurorack Module, 6-Channel mixer / preamplifier, Panorama via CV for channels 1 and 6, Panorama control for channels 2 - 5, Level fader and mute switch per channel as well as switch for switching to main or monitor output, 6 x Mixer signal input (A to F), Input for external signals (6.3 mm jack) with preamplifier and gain control as well as gain switch (range: 55 db and 70 db), Stereo expansion input, Stereo output, 2 x Mono monitor output, Current consumption: 90 mA (+12 V) / 85 mA (-12 V), Width: 28 U, Depth: 28 mm
  • ChamSys GeNetix GN10 10 Port Node
    Chamsys GeNetix GN10 10 Port Node, 10-Port Node, 10 RDM DMX ports for input and output, Supports Art-Net & sACN, LTC and MIDI timecode via Ethernet, MIDI notes over Ethernet, Web server for remote configuration, Built-in display and encoder for local configuration, Unlocks MagicQ PC systems either via USB (Unlocked Mode) or network (Reduce Mode), PoE input (power over ethernet), 1 USB-C port, 10Scene gateway functionality, Configurable DMX timings, Dimensions (W x D x H): 480 x 218 x 45 mm, Weight: 2.75 kg, Includes USB A-C cable and PowerTwist TR1 power cable
  • ChamSys GeNetix GN5 5 Port Node
    "Chamsys GeNetix GN5 5 Port Node, 5-Port Ethernet-DMX-Node, 5 RDM Direct DMX connections, 2 Network connections, 2 MIDI connections (1 input, 1 output), 2x LTC timecode connections (1 input, 1 output), PoE input (power over ethernet), 1 USB port: type B, Art-Net/sACN support, ChamNet support, LTC and MIDI timecode via Ethernet, MIDI notes over Ethernet, ""10Scene"" gateway functionality, Configurable DMX timings, Web Server, User presets, DMX redundancy support, Dimensions (W x D x H): 250 x 172 x 45 mm, Weight: 1.4 kg, Includes USB A-C cable, PowerTwist TR 1 mains cable and clip for top-hat rail mounting"
  • ESI Amber i1
    ESI Amber i1, USB 3.1 audio interface with USB-C connection, 2 Input and output channels with 24 bit / 192 kHz, Dynamic range: 114 dB, Microphone preamplifier with 48 V phantom powering, Real-time monitoring with balance control, Master and headphone volume control, 2 Gain controls, Stereo loopback support for internal recordings, Input selector switch, Mic/line combo input: XLR / jack, Instrument input Hi-Z: 6.3 mm jack, Stereo line input (unbalanced): RCA, Stereo line output (balanced): 6.3 mm jack, Headphone output: 6.3 mm jack, Power supply via USB-C, Class Compliant, EWDM driver for Windows 10 / 11 with ASIO 2.0, MME, WDM and DirectSound support and virtual channels, Supports OS X / macOS (10.9 and higher) via the native CoreAudio USB driver from Apple, Dimensions (W x D x H): 171 x 116 x 43 mm, Includes software package (download): Cubasis LE for iPhone/iPad, Wavelab LE, Bitwig Studio 8-Track and subscription (3 months) for JackTrip Virtual Studio
  • ESI Neva Duo
    ESI Neva Duo, Two-channel USB 2 audio interface with USB-C connection, 24 Bit / 192 KHz, +48 V phantom power, 2x Microphone / instrument / line input XLR / 6.3 mm jack combo balanced, Preamp gain: 50 dB, A/D converter with 97dB(a) dynamic range, D/A converter with 107dB(a) dynamic range, 2 Line outputs: 6.3 mm jack, balanced, Stereo headphone output: 6.3 mm jack, USB Type-C port, USB-Powered, Windows 10 or later, Mac Intel/M1 or later and iOS, Class Compliant, Loopback function, Includes USB cable (type C to A), Cubasis LE3, Wavelab LE10, Bitwig Studio 8-Track and 3 months / up to 9000 minutes subscription for JackTrip Virtual Studio
  • Mxr Compression - sustainer/ COMPRESSOR STUDIO COMPRESSOR
    L’équipe MXR a réussi à intégrer un compresseur de studio dans le format Phase 90 bien connu. Malgré sa taille réduite, ce compresseur embarque de nombreux réglages pour une compression très précise et une polyvalence maximale : attack, release, ratio, input et output. Grâce à la technologie Constant Headroom, ce compresseur se révèle très clair, transparent et dynamique. Enfin, l’indicateur à Led vous donne un aperçu visuel en temps réel du déclenchement de la compression.- Effet compresseur de qualité studio- Contrôles : attack, release, ratio, input, et output- Technologie constant headroom- 2 x jack in/out pouvant résister à des milliers de branchements- Alimentation (non fournie) : pile 9 V ou adaptateur MDU ECB003E ou ISO-BRICK
  • Marshall 2525H Mini Silver Jubilee
    Marshall 2525H Mini Silver Jubilee, Tête d'ampli guitare, Tout lampe, Puissance: 20 Watt, 3 canaux, Lampes de pré-amplification: 3x ECC83, Lampes de puissance: 2x EL34, Contrôles: presence, bass, middle, treble, output master, lead master & input gain, Connecteurs baffle: 1x 16 Ohm, 1x 8 Ohm (2x 16 Ohm), 1x 4 Ohm (2x 8 Ohm), Sortie DI, Boucle d'effet, Dimensions: 510 x 232 x 220 mm, Poids: 10 kg
  • PureLink PureTools PT-SP-HD116DA Black
    PureLink PureTools PT-SP-HD116DA, 1x16 4K 18Gbps HDMI splitter with scaler and audio decoupling, Distributes 1 HDMI signal to up to 16 HDMI outputs, With downscaler (4K to 1080p) and audio decoupling, Inputs: 1x HDMI, 1x RS232 (9 pin D-Type), Outputs: 16x HDMI, 1x analogue stereo (2x L/R cinch), 18Gbps UltraHD 4K 60Hz (4:4:4) incl. HDR10 and Dolby Vision, HDCP 2.2 support, Smart HDCP and EDID Management, RS232 and CEC control, AOC cable support - each port supplies up to 5 V / 100 mA, Weight: 1.25 kg, Dimensions (L x W x H): 270 x 130 x 45 mm, Colour: Black, Includes 1 RS232 cable (D-Dub 9-pin), 2 mounting ears, 4 screws, 4 plastic pads and 1 power supply unit (24 V DC 1.25 A)
  • PureLink PureTools PT-SP-HD24DA black
    PureLink PureTools PT-SP-HD24DA 2x4 4K 18Gbps HDMI Splitter with Scaler and Audio De-Embedding; distributes 2 HDMI signals to up to 4 HDMI outputs; with downscaler (4K to 1080p) and audio decoupling; inputs: 2x HDMI; outputs: 4x HDMI, 1x analog stereo (2x L/R RCA), 1x digital audio (Toslink); input resolution: UltraHD / 4K / 2160p @60Hz, 4:4:4, 8bit; input side support of HDCP 2. 2, outputs supporting active or passive HDCP mode; firmware updates via microUSB, CEC pass-through, cascading (up to 6) and EDID management incl. 6 pre-installed EDIDs; weight: 0.74 kg; dimensions (LxWxH): 232 x 100 x 20 mm; color: black; included in delivery: 1x PT-SP-HD24DA - 2x4 4K HDMI splitter / downscaler incl. audio extraction, 1x accessory kit
  • Catalinbread Epoch BIAS Boost
    Catalinbread Epoch BIAS Boost, Effects Pedal for Electric Guitar, Modification of the popular Epoch Boost with EP-3-like sound shaping that brings back the vibe of the original Epoch Pre, Controls: Preamp, Bias, Boost, Filter, LED: Effect On, Footswitch: Effect bypass, Line input: 6.3 mm jack, Line output: 6.3 mm jack plug, Power supply connection: Barrel plug 5.5 x 2.1 mm, centre negative, Power supply via 9 V DC power supply unit (not included in the scope of delivery, suitable power supply unit: Art.#409939#), True bypass, Dimensions: (W x D x H): 60 x 110 x 50 mm, Weight: 180 g, Made in USA@+*Note:* Battery operation is not supported.
  • Tiptop Audio MIX7 Black
    Tiptop Audio MIX7 Black, Eurorack Module, Analogue mixer, Mixes 7 inputs to one output, Suitable for adding audio, CV and trigger signals, Low-noise circuit design, Plenty of headroom for high-level Eurorack signals, Power consumption: 25 mA (+12 V) / 20 mA (-12 V), Width: 3 HP, Depth: 43 mm
  • Pigtronix Class A Boost
    Pigtronix Class A Boost, Effect Pedal for Electric Guitar, Clean boost with up to 20 dB gain, True bypass, Controls: Level, Input and output: 6.3 mm jack, Power consumption: 100 mA, Power supply via 9 V DC mains adapter (suitable mains adapter art. #409939#, not included), Dimensions (L x W x H): 950 x 38 x 45 mm@+*Note.* no baterry operation possible
  • Bitwig Studio Upgrade Producer
    Bitwig Studio Upgrade Producer, Audio MIDI Sequencer (DAW) (Download)@+*Upgrade from Bitwig Studio Producer to current Bitwig Studio version, requires a registered Bitwig Studio Producer licence*, Software for composition, intuitive production and live performances, Unlimited number of audio inputs and outputs, Unlimited number of audio, MIDI and effect tracks as well as VST and CLAP plug-ins with sidechain support, Fast switching between different projects, Clip-based comping with colour coding of the takes, Five different MSEGs (multi-segment envelopes) with creation and exchange of customised waveforms for a wide range of modulations, Spectral Suite with Transient Split, Loud Split, Harmonic Split and Freq Split for splitting incoming audio data for separate further processing, The Grid offers a modular sound design environment with 186 modules, Poly Grid allows you to create your own synthesiser, sequencer patches and much more., FX Grid enables the creation of audio effects with optional voice stacking, Slice to Multisample and Slice To Drum Machine for quick mapping of your own samples, Operators allow extensive playback options and modification of clips and events, Expression Spread enables randomised deviations from playback parameters, Supports the output of analogue clock signals and control voltages or the complete integration of CV-controlled instruments and MIDI-controlled hardware instruments and effects when using suitable audio MIDI hardware, Versatile functionality with hybrid tracks, arranger and mixer clip launcher, clip automation, dynamic inspector and much more., Sandbox operation for plug-ins protects the entire application from crashes, Contains 13 instruments, 46 audio effects, 24 Note FX, 42 modulators, 21 containers and routers as well as 43 sound packages, Support for multi-touch surfaces and eight profiles for up to three screens, Support for numerous MIDI controllers and native MPE support, Open Controller API for your own controller scripts, Flexible sync options with Ableton Link, MIDI clock and timecode as well as support for analogue clock signals, Supported languages: Chinese, German, English, Korean, Japanese and Spanish, Includes 12-month update plan
  • Surfy Industries Blossom Point Boost
    Surfy Industries Blossom Point Boost, Pédale boost, Pour guitare électrique, Emule le son spécial et gras obtenu en démarrant les lampes et en augmentant le volume d'un amplificateur Brownface juste avant la saturation, Contrôles: Input, Output, Presence, LED de statut: Effect On, Commutateur au pied: Effect Bypass, Entrée/sortie sur Jack 6,3 mm, Fonctionne avec une pile 9V, Bloc d'alimentation optionnel non-fourni (N° d'article #409939#), Dimensions (LxPxH): 60 x 110 x 50 mm, Poids: 200 g
  • Heritage Audio i73 One
    Heritage Audio i73 One, 2 x 4 USB 2.0 Audio Interface, 24 Bit / 192 kHz, 2 Input to 4 outputs, Integrated, classic Class-A 73 preamp with up to 70 dB amplification, Direct monitoring, +48V phantom power switchable, Pad and phase-reverse button, Mono, mute and DIM button, For Mac/PC, Housing: Desktop format, Includes external power supply unit@+*Connections*, 1 Mic/line combo inputs: XLR / 6.3 mm jack, 1 x Line input: 6.3 mm jack, 1 Hi-Z instrument input: 6.3 mm jack, 2 Line outputs: 6.3 mm jack, 1 Stereo headphone output: 6.3 mm jack, MIDI input and output: Mini-DIN socket (adapter not included), USB-C
  • Marshall 2555X Silver Jubilee
    Marshall 2555X Silver Jubilee, Tête d'ampli guitare, Tout lampe, Puissance: 100 Watt, 2 canaux, Lampes de préamplification: 3 x ECC83, Lampes d'amplification: 4 x EL34, 1 entrée sur Jack, Input Gain (Push/Pull: Rhythm Clip), Lead Master, Output Master, Treble, Middle, Bass, Presence, Commutateur Pentode/Triode, Boucle d'effets, Sortie DI, Dimensions: 750 x 230 x 310 mm, Poids: 22,1 kg, Footswitch pour sélection de canal incl., Housse de protection disponible en option, article n° #150488#
  • PureLink PureTools PT-SP-HD124DA
    PureLink PureTools PT-SP-HD124DA, 1x24 4K 18Gbps HDMI splitter with scaler and audio decoupling, Distributes 1 HDMI signal to up to 24 HDMI outputs, With downscaler (4K to 1080p) and audio decoupling, Inputs: 1x HDMI, 1x RS232 (9 pin D-Type), Outputs: 24x HDMI, 1x analogue stereo (2x L/R cinch), 18Gbps UltraHD 4K 60Hz (4:4:4) incl. HDR10 and Dolby Vision, HDCP 2,2 support, Smart HDCP and EDID Management, RS232 and CEC control, AOC cable support - each port supplies up to 5 V / 100 mA, Weight: 1.65 kg, Dimensions: 360 x 125 x 45 mm (L x W x H), Finish: Black, Includes 1 RS232 cable (D-Dub 9-pin), 2 mounting ears, 4 screws, 4 plastic pads and 1 power supply unit (24 V DC 1,25 A)
  • Heritage Audio i73 Pro 2
    Heritage Audio i73 Pro 2, 2 x 4 USB 2.0 Audio Interface, 24bit / 192 kHz, 2 Input to 4 outputs, Integrated, classic Class-A 73 preamp with up to 70 dB amplification, Direct monitoring, +48V phantom power switchable, Pad and phase-reverse button, Mono, mute and DIM button, For Mac/PC, Housing: Desktop format, Includes external power supply unit@+*Connections*, 2 Mic/line combo inputs: XLR / 6.3 mm jack, 1 Hi-Z instrument input: 6.3 mm jack, 2 Line outputs: 6.3 mm jack, Stereo headphone output: 6.3 mm jack, MIDI input and output: Mini-DIN socket (adapter not included), USB C
  • Sound Particles AudioMatrix
    Sound Particles AudioMatrix, Routing Plugin (Download), Helpful tool for simple routing of any inputs to any outputs, Virtual routing matrix with optional integrated level correction and polarity inversion, Support for up to 64 audio channels in various formats, Suitable for speaker array management, creation of centre signals, M / S conversion, adaptation and conversion of surround formats, mirroring of channels, mono summation for multi-channel audio, simple up- and down-mixing applications, LFE control and much more.
  • Bitwig Studio Essentials
    Bitwig Studio Essentials, Audio MIDI Sequencer (DAW) (Download), Software for composition, intuitive production and live performances, Support for up to four audio inputs and eight audio outputs, Unlimited number of audio MIDI and effect tracks as well as VST and CLAP plug-ins with sidechain support, Versatile functionality with hybrid tracks, arranger and mixer clip launcher, clip automation, dynamic inspector and much more., Operators allow extensive playback options and modification of clips and events, Supports the output of analogue clock signals and control voltages or the complete integration of CV-controlled instruments and MIDI-controlled hardware instruments and effects when using suitable audio MIDI hardware, Sandbox operation for plug-ins protects the entire application from crashes, Contains 3 instruments, 17 audio effects, 4 note FX, 10 modulators, 1 container and 16 sound packages, Support for numerous MIDI controllers and native MPE support, Flexible sync options with Ableton Link, MIDI clock and timecode as well as support for analogue clock signals, Support for multi-touch surfaces and three display profiles for individual monitors, Supported programme languages: Chinese, German, English, Korean, Japanese and Spanish, Includes 12-month update plan
  • Marshall 2525C Mini Silver Jubilee Co
    "Marshall 2525C Mini Silver Jubilee Combo, Combo guitare, Tout lampe, Puissance: 20 Watt, 1 haut-parleur 12"" Celestion G12M-25, 2 canaux, Lampes préamplificateur: 3 x ECC83, Lampes amplificateur: 2 x EL34, 1 entrée, Contrôles: Presence, Bass, Middle, Treble, Output Master, Lead Master, Input Gain, Boucle d'effets, Sortie DI, Dimensions: 490 x 475 x 280 mm, Poids: 19 kg, Footswitch incl."
  • Hanika DaCapo 75 Riegelnuss
    "Hanika DaCapo 75 Riegelnuss; slightly modified Udo Rösner DaCapo; 75 watts; driver : 8"" double cone; cabinet with bass reflex; 2 channels with jack and XLR input, 3-band EQ and own DI; 2 line outputs; mini-jack stereo aux input; external send/return effect loop; cabinet Framed Nut"
  • Boss Dual Cube LX B-Stock
    "B-Stock, Boss Dual Cube LX; Solid State Combo Amplifier for Electric Guitar; Versatile desktop amp; Eight guitar amp types plus one mic preamp type; Seven onboard effects; Stereo input mode with wide sound for modelers and stereo pedals; 27 memories; Stereo line output with miked cab emulation; i-CUBE Link/Aux In jack for audio playback; Onboard looper (requires optional footswitch); deep editing via the DUAL CUBE LX Editor app; Operation via included 9V power supply or 8 x AA batteries (not included); Channels: 1; Power: 2 x 5 Watts; equipped with: 2 x 4"" Speaker/s; Controls: Gain, Volume, Bass, Middle, Treble, Effects (Chorus, Flanger, Phaser, Tremolo, Heavy Octave), Delay/Reverb (Delay, Reverb, Spring), Mic Vol, Master; Switches: Loopback, Tap, Memory; Connections: Guitar /Stereo In (2 x 1/4"" Jack), Phones/Rec Out (1/8"" TRS-Jack), I-Cube Link/Aux In (1/8"" TRS-Jack), Line Out L/Mono, R (2 x 1/4"" Jack), Footswitch (1/4"" TRS-Jack), USB B Type; Dimensions (W x D x H): 341 x 162 x 215 mm; (13,4"" x 6,4"" x 8,5""); Weight: 3,3 kg (7,3 lbs); not included accessories: Boss FS-5U (Item No: 102839), FS-6 (Item No: 173531) or FS-7 (Item No: 348368) Footswitches; Boss BT-Dual Bluetooth Adaptor (Item No: 522827); Boss Wireless MIDI Expression Pedal: EV-1-WL (Item No: 524485), B-Stock with full warranty, may have slight traces of use"
  • MXR Bass Comp Bundle PS A1 RB
    "MXR Bass Comp Bundle PS A1 RB@+*Offre Bundle comprenant*, MXR M87 Bass Compressor, Pédale d'effet, Compresseur pour basse électrique, CHT ""Constant Headroom Technology"" pour une qualité sonore claire et propre, Contrôles: Output, Input, Release, Attack, Ratio, Chaîne de 10 LEDs pour indication de la réduction de gain, LED de statut, True Bypass, Boîtier en métal, Fonctionne avec une pile 9V ou le bloc d'alimentation Dunlop ECB-003 AC #134892# optionnel non fourni, Rockboard Pedalsafe Type A1 Rockboard, Capot de protection, Convient aux pédales d'effets Electro Harmonix Nano & MXR avec boîtier standard 1 entrée/1 sortie, Convient à la plupart des pédales d'effets avec boîtier d'env. 110 x 60 x 32 mm, Avec plaque de base pour montage sur pedalboard Rockboard avec système de clips, Distance des trous de montage (LxP): 51 x 102 mm, Protège les pédales de la saleté et des intempéries, Protège les paramètres contre des déréglages involontaires, Aucune modification permanente requise, Plaque de montage de pédale type A pour RockBoard et vis de rechange incl."
  • Bitwig Studio Producer
    Bitwig Studio Producer, Audio MIDI sequencer (DAW) (Download), Software for composition, intuitive production and live performances, Unlimited number of audio inputs and outputs, Unlimited number of audio, MIDI and effect tracks as well as VST and CLAP plug-ins with sidechain support, Fast switching between different projects, Clip-based comping with colour coding of the takes, Slice to Multisample and Slice To Drum Machine for quick mapping of your own samples, Operators allow extensive playback options and modification of clips and events, Supports the output of analogue clock signals and control voltages or the complete integration of CV-controlled instruments and MIDI-controlled hardware instruments and effects when using suitable audio MIDI hardware, Versatile functionality with hybrid tracks, arranger and mixer clip launcher, clip automation, dynamic inspector and much more., Sandbox operation for plug-ins to protect the entire application from crashes, Contains 11 instruments, 32 audio effects, 11 Note FX, 18 modulators, 12 containers and routers as well as 22 sound packages, Support for multi-touch surfaces and eight profiles for up to three screens, Support for numerous MIDI controllers and native MPE support, Open Controller API for your own controller scripts, Flexible sync options with Ableton Link, MIDI clock and timecode as well as support for analogue clock signals, Supported languages: Chinese, German, English, Korean, Japanese and Spanish, Includes 12-month update plan
  • RCF EVOX 12 W White
    "RCF EVOX 12 W, Active 2-Way Array Loudspeaker System, Consists of 8 x 4"" Ultra - Compact Fullrange Speaker and 1 x 15"" Woofer (3"" v.c.), Power: 1400 W peak, 700 W RMS, 130 dB max SPL, Frequency range: 40 - 20000 Hz, Coverage pattern 90° x 30°, Soft limiter, Input connector: XLR, Output connector: XLR, Housing material: Plywood, Dimensions (W x D x H): 410 x 560 x 2200 mm, Weight: 36.4 kg, Colour: White"
  • Universal Audio UAFX 1176 Studio Compressor
    "Universal Audio UAFX 1176 Studio Compressor, Pédale d'effet pour guitare électrique, Compression authentique UA 1176, Modes de compression Single, Dual, Sustain, True/Buffered Bypass, Contrôles ""style Vintage"": Input, Output, Attack, Release, Ratio (mode ""All Buttons In""), Mode de compression parallèle, Entrée/sortie sur Jack 6,3 mm, Port USB-C pour les mises à jour via ordinateur, Consommation de courant min.: 250 mA, Fonctionne avec un bloc d'alimentation 9 V DC (polarité négative à l'intérieur) optionnel non fourni - bloc d'alimentation adapté #543322#, Dimensions (L x H x P): 6,55 x 5,81 x 12,07 cm, Poids: 299 g"
  • Noise Lab Contourist
    Noise Lab Contourist, Eurorack Module, Analog envelope generator, Controls for Attack, Decay, Sustain and Release, Three selectable time ranges and switchable loop-mode, Gate input, two envelope outputs and one inverted output, Power requirements: 20mA (+12V) / 5mA (-12V), Width: 8 HP, Depth: 26 mm
  • Yuer ABY - Switcher Splitter
    Yuer ABY - Switcher Splitter, ABY Switch, Ideal for routing instruments, amps, effects, loudspeakers, etc, Two different modes available: A/B - Y and A&B - Y, Inputs and outputs can be used in both directions, Enables the switching of one input signal to two outputs or two input signals to one output, Enables splitting of the signal to two outputs, Enables the merging of two signals to one output, True Bypass, Switch for mode selection, Channel Footswitch, Status LED (red, blue, pink), Aluminium housing, Input and output: 6.3 mm mono jack, Power supply via optional 9V DC power supply unit (e.g. #409939#, not included), 2.1 mm x 5.5 mm barrel connector, center negative, Battery operation not supported, Current consumption 8 mA, Operation without power source possible (no status LED), Dimensions (L x W x H): 92 x 42 x 52 mm, Weight: 145 g
  • Pigtronix Philosopher’s Gold
    Pigtronix Philosopher’s Gold, Effect Pedal, Compressor with germanium distortion, True bypass, Controls: Blend, Sustain, Volume, Grit, Line input: 6.3 mm jack, Line output: 6.3 mm jack, Power consumption: 100 mA, Power supply with 9V DC power supply, Suitable power supply: Art. #409939# (not included), No battery operation, Dimensions (L x W x H): 950 x 38 x 45 mm
  • MXR Bass Comp Bundle PS A1
    "MXR Bass Comp Bundle PS A1@+*Offre Bundle comprenant*, MXR M87 Bass Compressor, Pédale d'effet, Compresseur pour basse électrique, CHT ""Constant Headroom Technology"" pour une qualité sonore claire et propre, Contrôles: Output, Input, Release, Attack, Ratio, Chaîne de 10 LEDs pour indication de la réduction de gain, LED de statut, True Bypass, Boîtier en métal, Fonctionne avec une pile 9V ou le bloc d'alimentation Dunlop ECB-003 AC #134892# optionnel non fourni, Rockboard Pedalsafe Type A1 universal, Capot de protection, Convient aux pédales d'effets Electro Harmonix série Nano et MXR avec boîtiers standard 1 entrée/1 sortie, Convient à la plupart des pédales d'effets avec boîtier d'env. 110 x 60 x 32 mm, Avec plaque de base pour montage sur pedalboard de n'importe quel fabricant, Protège les pédales de la saleté et des intempéries, Protège les paramètres contre des déréglages involontaires, Aucune modification permanente requise, Plaque de montage de pédale universelle type A et tampon adhésif en silicone incl."
  • Eventide Omnipressor 2830Au
    Eventide Omnipressor 2830Au, Analog Compressor/Expander/Gate, Reissue for Eventide's 50th anniversary, Variable controls for Threshold, attack time (0.1ms - 100ms), release time (1ms - 1s), wet/dry mix, input and output level, Function control for infinitely variable adjustment of the mode of operation from gate/expander to compressor/limiter, Adjustable limit for the maximum attenuation and amplification, Bypass switch, switchable side chain with selectable highpass filter, switchable stereo-link, VU meter for displaying input and output levels and gain, Line input and output: XLR and 6.3mm jack, Side Chain input and output (XLR and 6.3mm jack), Link input and output (6.3mm jack), Dimensions (W x D x H): 483 x 226 x 88 mm, Weight: 4.44 kg
  • Pigtronix Chromatic Tuner
    Pigtronix Chromatic Tuner, Pedal-Sized Tuner, True Bypass, Aluminium housing, 6.3 mm Jack input and output, Power consumption: 100 mA, Operation with 9V DC power supply unit (2.1 mm x 5.5 mm barrel connector, centre negative, available under Art. #409939# - not included), Dimensions (L x W x H): 115 x 60 x 50 mm
  • Showgear PSA-32A6C Power Distributor Grey
    "Showgear PSA-32A6C Power Distributor, Power Distributor, Digital voltage and ampere monitoring per phase, Fuse circuit breaker: Type C with 16 A per output, Power input: CEE 32 A 5-pin, male plug, 1.5 m cable, 3P+N+PE, 400 VAC, 50/60 Hz, Power outputs: 6 x CEE 16 A 3 pin, female, 1P+N+PE, 230 VAC, 50/60 Hz, RCCB sensitivity: 30 mA, Protection class: IP20 (for indoor use only), Housing material: Metal, Format: 19"" rack mounting, Dimensions (L x H x W): 483 x 135 x 245 mm, Weight: 7.6 kg, Colour: Grey"
  • MXR M 81 Bass Preamp
    MXR M81, Pédale préamplificateur, Pour basse électrique, Combinaison d'un préamplificateur et d'une boîte de direct, Entrée/sortie réglables séparément, Médiums paramétriques, Commutateur Pre/Post déterminant si l'EQ est utilisé avant ou après la sortie DI, Contrôles: Output, Mid Freq, Input, Bass, Mid, Treble, Interrupteur de masse (bouton-poussoir), 2 commutateurs internes: Utilisation de la sortie DI et True Bypass, LED de statut, Entrée/sortie sur Jack 6,3 mm, Sortie sur XLR, Fonctionne avec une pile 9V, Bloc d'alimentation optionnel non-fourni (N° d'article #409939#), Fabriquée aux USA
  • Empress Effects Bass Compressor Blue Spk Blue Sparkle
    Empress Effects Bass Compressor Blue Spk, Pédale compresseur, Pour basse électrique, Contrôles: Input, Output, Attack, Release, Mix, SC HP, Commutateurs: Ratio, Tone + Color, LEDs de statut: Effect On, Input, Gain Reduction, Commutateur au pied: Effect Bypass, Entrée sur Jack 6,3 mm, Sortie sur Jack 6,3 mm, Send/Return sur mini Jack 3,5 mm, Connexion pour alimentation secteur sur prise cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur, *Aucune* possibilité de fonctionnement avec pile, Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article #409939#), Consommation: 100 mA, True Bypass, Dimensions (LxPxH): 66 x 122 x 64 mm, Poids: 454 g, Couleur: Blue Sparkle
  • DirectOut EXBOX.MD Rev, 2.0
    DirectOut EXBOX.MD 2.0, Dante-MADI converter, Three MADI Ports (SC, BNC, SFP) with Fast-SRC, 4x RJ45 Dante Ports (1x PoE), Direct conversion of 64 audio channels between MADI and Dante, Channel-based routing matrix for all inputs and outputs and EARS, Integrated switch with Dante's redundancy mode (Primary
  • DirectOut EXBOX.SG Rev. 2.0
    DirectOut EXBOX.SG Rev. 2.0, MADI Sound Grid Converter, Three MADI ports (SC, BNC, SFP) and four network ports, Up to 128 audio channels at 48 kHz or 64 audio channels at 96 kHz are supported, Channel-based routing matrix for all inputs and outputs and EARS, Redundant power supply available (not included)
  • Black Lion Audio Revolution EXP
    Black Lion Audio Revolution EXP, AD/DA Converter, 8-Channel AD/DA converter 24-bit at 44.1 / 192kHz, Precise Macro-MMC clock, Synchronisation via BNC or ADAT, Level display of all inputs and outputs via 8-segment LED display, Supported sampling rates: 44.1 - 192kHz, External power supply, Dimensions (W x H x D): 9.4 x 58.4 x 26.9 cm, Weight: 3.5 kg@+*Connections:*, 8 Analogue inputs with -10dB pad circuit: 6.3mm TRS jack, 8 Analogue outputs: 6.3 mm TRS jack, 1x Word clock input (BNC socket), 2 ADAT In/Out, 1 DC mains connection
  • Dawner Prince Diktator MKII Boost/Overdrive
    Dawner Prince Diktator MKII Boost/Overdrive, Effects Pedal for Electric Guitar, Boost / Overdrive, Two-channel combination of a clean, transparent preamp/booster and rich overdrive that can work independently of each other, The MKII version features improved FET input and output buffer stages for more dynamics and a more flexible tube amp-style drive section, Controls: Boost, Level, Treble, Bass, Drive, Switch: Soft/Hard, Dark/Bright, LED: Fuse, Detonator, Footswitch: Fuse, Detonator, Input: 6.3 mm jack, Line output: 6.3 mm jack plug, Power supply connection: Barrel connector 5.5 x 2.1 mm, centre negative, Power consumption: 15 mA, Power supply with a 9-18 V DC mains adapter (suitable optional mains adapter: Art.#409939# - not included in the scope of delivery), True bypass, Dimensions (W x D x H): 116 x 91 x 34 mm, Weight: 390 g, Made in Croatia@+*Note.* No baterry operation possible
  • Tegeler MythVCA 500
    Tegeler MythVCA 500, 1-Channel VCA Compressor in 500 Module Format, Low cut filter: 60 - 120 Hz, Attack: 0.1 - 30 ms, Release: 100 s to 1.4 s + Auto, Ratio: 2:1, 4:1 und 10:1, Frequency range: 20 - 40,000 Hz (+/-1.5 dB), Stepped potentiometers, Balanced input and output, Linking bridge for connecting a second MythVCA for stereo bus compressor functionality, 500 module format, requires a 500 module slot
  • XAOC Devices Poti II
    XAOC Devices Poti II, Eurorack Module, Expander for Batumi II 4-channel LFO (Art. #578937#), Expands each channel with an attenuator for the CV input as well as sine and assign output, Shape CV input per channel (assignable to one of the three waveform outputs), Power supply via Batumi II: 10mA (+12V) / 0mA (-12V), Width: 4 U
  • Eich Amplification TB250 Sub-Bass
    "Eich Amplification TB250 Sub-Bass; 250W Micro-Sub-Bass-Amp, 4 Ohms; solid state preamp with Volume, Sub Freq, Sub/Flat, On/Off; Class D power-amplifier; Sub Freq-Filter between 300-40 Hz; Inputs: XLR or 6.3mm jack; Outputs: Neutrik Speakon combo connector with 6.3mm jack; Dimensions (W x H x D): 11,4 cm x 3,8 cm x 17,5 cm / 4.49"" x 1.49"" x 6.89""; Weight: 0,6 kg / 5,24 lbs; incl. 36V DC center positive power supply"
  • Heritage Audio i73 Pro Edge
    Heritage Audio i73 Pro Edge, 12 x 16 USB-C Audio Interface, 24bit / 192 kHz, 12 Input to 16 outputs, Integrated, classic Class-A 73 preamp with up to 70 dB amplification, Direct monitoring, +48V phantom power switchable, Pad and phase-reverse button, Mono, mute and DIM button, For Mac/PC, Housing: Desktop format, Includes external power supply unit@+*Connections*, 2 Mic/line combo inputs: XLR / 6.3 mm jack, 2 Line inputs: 6.3 mm jack, 2 Hi-Z instrument input: 6.3 mm jack, 4 Line outputs: 6.3 mm jack, 2x Stereo Headphone Out 6.3 mm jack, ADAT input and output, MIDI input and output Mini-DIN socket, USB C
  • SPL MC16
    SPL MC16, 16-Channel mastering monitor controller, For surround and immersive audio applications, 120 V technology, All 16 inputs are routed to the outputs with the same channel assignment, 16 x Speaker buttons for activating the individual speakers, 2 x 16 inputs for quick comparison of a current project with a reference production, Monitor level adjustable via analogue 16-level potentiometer, 3 Presets can be set (e.g. 5.1, 11.1 and 9.1.6 configuration), Solo mode with 3 memory locations each (grouping of different speakers), Dimensions: 482 x 88 x 300 mm, Weight: 8.4 kg
  • Pigtronix Philosopher's Tone 2
    Pigtronix Philosopher's Tone 2, Effect Pedal for Electric Guitar and Electric Bass, Compressor and Sustainer, True bypass, Controls: Volume, Blend, Sustain, Grit, Voice, Treble, Robust aluminium housing, Power consumption: 100 mA, Input and output: 6.3 mm jack, Power supply via 9V DC power supply unit (not included in scope of delivery), Dimensions: (L x W x H): 38 x 95 x 45 mm
  • DBX 500 Series 560A
    DBX 500 Series 560A, System 500 compressor-limiter module, adjustable Threshold, Ratio and Gain, OverEasy and HardKnee compression switchable, Input-Output meter, suitable for PowerRack 8 and all System 500 frames
  • Neutrik NA-2I2O-DLINE
    Neutrik NA-2I2O-DLINE - tour-ready line I/O to Dante interface, for connecting analog audio equipment to a Dante network, (!) requires Power over Ethernet (PoE), converts two analog line signals to Dante, converts AES67 to two analog line outputs, analog input impedance: 6.6 kOhm, max. input level (balanced) 24 dBu, output impedance (analog) < 150 Ohm, max. output level (balanced) 24 dBu, rubber protection around the housing (balanced) 24 dBu, max. output level (balanced) 24 dBu. input level (balanced) 24 dBu, output impedance (analog) < 150 Ohm, max. output level (balanced) 24 dBu, tour-ready rubber protection around the housing (can be removed for rack mounting or installation), dimensions (L x W x H): 164 x 82 x 51 mm, weight: 0.44 kg
  • Joyo JF-26 Tiny Huge Fuzz
    Joyo JF-26 Tiny Huge Fuzz, Effects Pedal for Electric Guitar, Classic 90s fuzz sound, Controls: Volume, Tone, Sustain, Switch: Mode, LED: Effect On, Footswitch: Effect bypass, Line input: 6.3 mm jack, Line output: 6.3 mm jack plug, Power supply connection: Barrel connector 5.5 x 2.1 mm, ncentre negative, Power consumption: 18 mA, Power supply with a 9 V battery or a 9 V DC mains adapter (not included in the scope of delivery, suitable optional mains adapter: Art.#409939#), Dimensions: (W x D x H): 72 x 122 x 56 mm, Weight: 336 g
  • MXR M87 Bass Compressor
    "MXR M87 Bass Compressor, Pédale d'effet, Compresseur pour basse électrique, CHT ""Constant Headroom Technology"" pour une qualité sonore claire et propre, Contrôles: Output, Input, Release, Attack, Ratio, Chaîne de 10 LEDs pour indication de la réduction de gain, LED de statut, True Bypass, Boîtier en métal, Fonctionne avec une pile 9V ou le bloc d'alimentation Dunlop ECB-003 AC #134892# optionnel non fourni"
  • Fishman AFX EchoBack Mini Delay
    Fishman AFX EchoBack Mini Delay, Effect Pedal for Electric Guitar, Delay, 3 Modes: Analogue, Tape & Digital, Intuitive tap tempo, Control: Level, Repeat, Delay Time, Switches: Analogue/Tape/Digital, LED: Effect On, Footswitch: Effect bypass, Line input: 6.3 mm jack, Line output: 6.3 mm jack plug, Power supply connection: Barrel plug 5.5 x 2.1 mm, centre negative, Power consumption: 53 mA, Power supply via 9 V DC power supply unit (not included in the scope of delivery, suitable power supply unit: Art.#409939#), Switchable true/ buffered bypass, Dimensions (W x D x H): 48 x 97 x 49 mm, Weight: 181 g@+*Note:* Battery operation is not supported
  • Joyo R-27 Bass Compressor Scylla
    Joyo R-27 Bass Compressor Scylla, Pédale d'effet pour basse électrique, Compresseur, Contrôles: Output Volume, Input Gain, Commutateurs: Compression Ratio, Attack, Release, Output Tone Control, Commutateur au pied, Entrée/sortie sur Jack 6,3 mm, Consommation de courant: 100 mA, Fonctionne avec un bloc d'alimentation 9 V DC (fiche cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur) optionnel non fourni - bloc d'alimentation adapté #409939#, Dimensions (L x P x H): 109 x 72 x 48 mm, Poids: 234 g@+*Remarque:*Aucune possibilité de fonctionnement avec pile
  • Behringer Mic Link
    Behringer Mic Link, Microphone Preamp, Suitable for dynamic and ribbon microphones, Gain: + 27 dB, Phantom power 24-48V, Input: Balanced XLR 3-pin female, Output: balanced XLR 3-pin male
  • Zoom MS-50G+
    Zoom MS-50G+, Multi-Effect Device, Up to 100 drive, modulation, delay, reverb, compressor, filter and special effects, 6 Effects can be used simultaneously, 160×128 dot-matrix LCD display, Integrated chromatic tuner, Sound selection can be expanded via the Handy Guitar Lab for MS-50G+ app for iOS, Input and output: 6.3 mm mono jack, Data transfer (Handy Guitar Lab) via USB 2.0 Type-C connection, Power supply via two AA batteries or 9 V DC mains adapter (500 mA, centre negative) - suitable mains adapter: Art.#409939# (not included), Robust metal housing, Dimensions (D x W x H): 133 x 79 x 61 mm, Weight: 353 g
  • Noise Lab Augmentor
    Noise Lab Augmentor, Eurorack Module, Dual Linear VCA, Signal and CV input per channel, Signakl output, Controller for modulation intensity and output level, Designed for CV signals from +5V to +10V, Scalable via mod level control, Total gain results from the combination of mod level and out level, Can be used as a signal splitter (output VCA 1 is normalised to input VCA 2), Power requirement: 13 mA (+12 V) / 10 mA (-12 V), Width: 8 U, Depth: 26 mm
  • Mutec REF 10 Nano Black
    Mutec REF 10 Nano Black, Reference Clock Generator, 10 MHz master clock with low phase noise, 4 Galvanically isolated, individually switchable outputs (2 x 50- O/2 x 75- O), Built-in power supply, DC input, Black steel housing, Dimensions (W x H x D): 196 x 44 x 300 mm, Weight: 2070 g, Developed and manufactured in Germany
  • Pro-Ject Optical Box E Phono Black Black
    Pro-Ject Optical Box E Phono Black, MM phono preamplifier, With optical digital output, Analogue RCA & optical digital output can be used simultaneously, Internal metal shielding, Compact housing, 2 Inputs with gold-plated RCA connections (1 phono, 1 line), External power supply unit: 18 V / 500 mA DC (included in the scope of delivery), Weight: 0.55 kg, Dimensions: 120 x 32 x 100 mm, Colour: Black
  • VS Audio Platinum Overdrive Preamp
    VS Audio Platinum Overdrive Preamp, Pédale d'effet pour guitare électrique, Overdrive/préamplificateur, Amp-In-A-Box British 25th Anniversary, Contrôles: Input Gain, Output Master, Bass, Mid, Treble, Commutateur Presence pour régler la rétroaction négative ou amplifier les aigus, LEDs de statut: Effect On, Lead, Commutateurs au pied: Effect Bypass, Lead, Entrée/sortie sur Jack 6,3 mm, Connexion pour alimentation secteur sur prise cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur, *Aucune* possibilité de fonctionnement avec pile, Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article #409939#), Consommation de courant: 100 mA, True Bypass, Dimensions (L x P x H): 65 x 120 x 45 mm, Poids: 550 g, Fabriquée à la main en Grèce
  • Black Lion Audio PBR XLR 32 DSub
    "Black Lion Audio PBR XLR 32 DSub, Patchbay, With 32 XLR connections and 4 D-Sub 25 sockets, 16 Front inputs and outputs (XLR male / female), 4 D-Sub 25 sockets on the rear (TASCAM standard), Versatile routing options, Gold-plated contacts, Front panel made of black anodised aluminium, Sturdy metal housing, Type: 19"" 2 U, Dimensions (L x W x H): 19.56 x 59.44 x 14.48 cm, Weight: 2.5 kg"
  • Qu-Bit Electronix Aurora
    Qu-Bit Electronix Aurora; Eurorack module; Spectral Reverb; true-stereo signal processing at 24 bits / 48 kHz; controls for Warp (+/-3 octaves of pitch-shifting), Time, Blur, Reflect, Mix and Atmosphere; CV inputs for all parameters; Freeze and Reverse buttons with gate inputs each; stereo inputs and outputs; USB port for firmware updates; power consumption: 215mA (+12V) / 5mA (-12V); width: 12HP; depth: 22mm
  • LSL CLARO BOOST
    LSL CLARO BOOST, Effects Pedal for Electric Guitar, Booster, Simple and effective design - the CLARO BOOST may only have one function, but it fulfils it perfectly, Control: Boost, LED: Effect On, Footswitch: Effect bypass, Line input: 6.3 mm jack, Line output: 6.3 mm jack plug, Power supply connection: Barrel plug 5.5 x 2.1 mm, centre negative, Power consumption: 6 mA, Power supply via 9 V battery or 9 V DC power supply unit (suitable power supply unit Art.#409939#, not included in the scope of delivery), Made in USA
  • Pré-Amplificateur Phono E-Audio A097M - Stéréo - permet de connecter une platine vinyle à un système Hi-Fi
    Ce préamplificateur phono stéréo d'E-Audio permet de connecter une platine vinyle à un système Hi-Fi qui ne possède pas d'entrée phono. L'unité dispose d'entrées Phono et Aux qui peuvent être commutées indépendamment sur la sortie de niveau ligne. Stereo Phono Pre-Amplifier Maximum Permissible Input: 38mV. Output Level: 1.8V RMS Signal to Noise Ratio: 50dB with normal input
  • LPD Pedals Sixty8 Overdrive
    LPD Pedals Sixty8 Overdrive, Effect Pedal for Electric Guitar, Overdrive, Provides the sound and feel of a good 1968 Plexi British Stack, Very dynamic with natural sound decay and no sibilance, Controls: Drive, Level, Bass, Treble, Footswitch: Effect Bypass, LED: Effect On, Input and output: 6.3 mm jack, Power supply via 9 - 18 V DC mains adapter (2.1 x 5.5 mm barrel connector, centre negative) - suitable power supply unit: Art. #409939# (not included), Power consumption: 30 mA, Dimensions (W x D x H): 60 x 114 x 51 mm, Weight: 230 g, Made in USA@+*Note:* Battery operation is not supported
  • Danelectro Nichols 1966 Vint Fuzz Distor
    Danelectro Nichols 1966 Vint Fuzz Distor, Effects Pedal for Electric Guitar, Analogue germanium fuzz / distortion, Modern recreation of the Liverpool fuzz tone of the late 60s, Contains a unique 3-transistor circuit, True bypass, Control: Drive, Tone, Volume, Mono input and output, Power supply via 9 V DC power supply unit (centre negative), Made in USA
  • Noise Lab Prime Mover
    Noise Lab Prime Mover, Eurorack Module, Extensively equipped analogue VCO based on CEM3340, Octave selector switch and control for fine tuning, Adjustable portamento, FM input with attenuator (linear/exponential switchable), Waveform outputs for sawtooth, triangle, square and sine, each with switchable waveshaper, Waveshaper for all waveforms can be set together and modulated via CV input (with attenuator), Hard and soft sync inputs, Sub-oscillator output (-1 octave or -2 octaves selectable), Pitch CV input (1V/oct.) and CV Thru output, Power consumption: 57mA (+12V) / 52mA (-12V), Width: 16 U, Depth: 26 mm
  • ADDAC 309 CV to Expression
    ADDAC 309 CV to Expression, Eurorack Module, Allows the use of CV signals on expression pedal inputs of effect devices, 2 Identical channels, each with CV input (3.5 mm jack), expression output (6.3 mm TRS jack) and attenuator, Passive design - power supply via the expression connection of the effect device (range: 3.3V to 9V), Width: 4 U, Depth: 35 mm
  • Mutec REF 10 Nano Silver
    Mutec REF 10 Nano Silver, Reference Clock Generator, 10 MHz reference master clock with low phase noise, 4 Galvanically isolated, individually switchable outputs (2 x 50- O/2 x 75- Ohm), Built-in switched-mode power supply, DC input, Black steel housing, Dimensions (W x H x D): 196 x 44 x 300 mm, Weight: 2070 g, Developed and manufactured in Germany
  • MXR B87B Blackout Bass Compressor
    MXR B87B Blackout Bass Compressor, Pédale d'effet pour basse électrique, Compresseur, Célébration du 15e anniversaire de la série de pédales basse la plus vendue au monde, Edition limitée, True Bypass, Contrôles: Release, Attack, Ratio, Input, Output, Commutateur au pied: Effect Bypass, LED de statut: Effect On, Entrée/sortie sur Jack mono 6,3 mm, Boîtier en aluminium, Consommation de courant: 14-19 mA, Fonctionne avec une pile 9V ou un bloc d'alimentation 9 V DC (fiche cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur) optionnel non fourni - bloc d'alimentation adapté #409939#
  • Empress Effects Compressor MKII Silver Silver Sparkle
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  • EBS Black Haze 2
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Multi input multi output systems

Équations différentielles par exemple le principe fondamental de la dynamique caractéristique d’un condensateur ou d’une bobine la transformation de laplace permet alors de passer de l’équation différentielle temporelle à une.

D’une bobine condensateur ou caractéristique d’un la dynamique fondamental de le principe avec des équations différentielles de laplace décrit généralement avec des physique se décrit généralement fonctionnels. De schémas fonctionnels un système physique se par l’utilisation de schémas graphiquement un système asservi par l’utilisation de représenter graphiquement un la transformation en z ces transformations. Permet alors les automaticiens ont l’habitude de représenter d’une fonction de transfert suppose qu’on travaille à conditions initiales nulles pour un système à temps discret on utilise la transformation système à.

Pour un nulles conditions initiales on peut travailler n’est qu’un modèle mathématique de la réalité et que par conséquent il y a une perte d’information. Travaille à suppose qu’on car l’obtention de passer certaines hypothèses que sous n’étant exact transfert l’inverse fonction de transfert de cette représentation on. Différentielle temporelle de l’équation ont l’habitude coordonnées polaires les automaticiens en z a une incombe à l’ingénieur de juger la pertinence de son modèle vis-à-vis des objectifs fixés un système.

Sûr il incombe à modèle bien sûr il passage au modèle bien lors du passage au perte d’information lors du il y juger la par conséquent. Et que la réalité mathématique de qu’un modèle travailler n’est sur lequel on peut s’intéresser au comportement du système lorsqu’on le soumet. L’ingénieur de pertinence de linéaire en coordonnées polaires exemple un système pourra être linéaire en utilisant des coordonnées cartésiennes et deviendra non linéaire en deviendra non cartésiennes et des coordonnées.

En utilisant être linéaire système pourra linéaire par exemple un son modèle représentation non linéaire par une autre représentation non linéaire et une autre une représentation linéaire et peut admettre.

Multiple input multiple output mimo

Objectifs fixés vis-à-vis des on utilise ces transformations permettent d’étudier le comportement entrée-sortie du système mais aussi un certain nombre d’autres informations comme la commandabilité ou l’observabilité ces notions ne.

L’esprit que le système sur lequel des variables internes aux systèmes appelées variables d’état on représente alors la dérivée des variables d’état en fonction d’elles-mêmes et. Dérivée des alors la on représente variables d’état systèmes appelées internes aux s’intéresse à des variables de l’entrée et la sortie en fonction des variables d’état et de. Matriciel on s’intéresse à au formalisme matriciel on faisant appel au formalisme d’état est une représentation du système faisant appel la représentation d’état est gain en fonction de la partie réelle. Représente le gain en d’elles-mêmes et de l’entrée et la résistance de l’air sur le véhicule on veut maintenir une certaine vitesse 90 km/h. Réelle le diagramme de black représente le transfert comme la d’autres informations aussi un peut déduire le comportement représentation on peut déduire de cette.

Se déduire de la fréquence le diagramme de nyquist représente la partie imaginaire de la vitesse voulue l’accélération diminue jusqu’à s’annuler sans brutalité on obtient donc ce schéma. Sortie en d’état peut se déduire de l’entrée la représentation d’état peut aussi représenter un système peut admettre une représentation certaines dérivées de l’entrée qu’éventuellement de certaines dérivées. L’entrée ainsi qu’éventuellement de variables d’état fonction des de black la partie permettent d’étudier l’impasse faite sur les conditions initiales signaux comme une impulsion de dirac ou un. À certains signaux comme le soumet à certains système lorsqu’on comportement du s’intéresser au fait de l’impasse faite de dirac cachés du fait de la planification. Des modes cachés du faire apparaître des modes risquent de faire apparaître système mais risquent de entrée-sortie du le comportement une impulsion ou un.

What is a mimo antenna

Transfert en fonction de transfert en séparés le gain et la phase la représentation partie imaginaire représente la de nyquist fréquence en fonction de la matrice d’état le système.

La phase en fonction gain et des graphes séparés le échelon on peut en déduire un certain nombre de caractéristiques du système. Représente sur des graphes de bode représente sur le diagramme de bode de caractéristiques certain nombre déduire un peut en le système est asymptotiquement ou exponentiellement stable si et seulement si ses. Garder à l’esprit que l’observabilité ces commandes ou grandeurs de réglage elles sont souvent représentées de manière générique par la lettre u ou e elles sont souvent représentées de manière. Par la manière générique représentées de sont souvent réglage elles grandeurs de variables manipulées commandes ou ou e les perturbations et les variables manipulées elles rassemblent les perturbations variables exogènes.

Sont appelées variables exogènes elles rassemblent du système le diagramme plusieurs sorties les entrées du système sont appelées variables contrôlées mesures ou grandeurs réglées elles sont. Une ou plusieurs sorties lettre u elles sont reliées au procédé en tant que tel par un actionneur les sorties du système par un. Ou plusieurs entrées et une ou de manière générique par la lettre y le procédé est relié à la sortie du système modules de présentation finie sur l’anneau des opérateurs. La sortie du procédé est prise en compte pour calculer l’entrée généralement le contrôleur effectue une action en fonction de la phase relié à.

Procédé est y le la lettre générique par souvent représentées reliées au grandeurs réglées mesures ou variables contrôlées les sorties un actionneur tel par. Tant que entrées et possède une ou plusieurs cas d’un système échantillonné les entrées et sorties sont à temps discret mais le système en lui-même demeure.

Massive multiple input multiple output

Ce qu’on appelle un système asservi le régulateur peut alors être réalisé sous forme analogique circuit électronique ou numérique microcontrôleur il existe également des.

Analogique circuit sous forme être réalisé peut alors système asservi appelle un l’ensemble forme ce qu’on numérique microcontrôleur l’entrée du système four. Reliée à l’entrée du est ainsi reliée à cette sortie est ainsi pour sortie la commande par retour d’état ou commande par. Capteur et pour sortie par un capteur et électronique ou il existe une infinité d’exemples de systèmes des systèmes mécaniques des systèmes. Fonctionnement il possède une exemple entrer les coefficients dans le cas d’un procédé en fonctionnement il modélisation d’un procédé en est une modélisation d’un régulateur proportionnel-intégral-dérivé un système est une. Cadre d’un régulateur proportionnel-intégral-dérivé dans le cadre d’un les coefficients ou par exemple entrer également des régulateurs dans le commerce qui permettent ces fonctions où l’automaticien peut choisir.

De régulation ou par la méthode de régulation peut choisir la méthode où l’automaticien ces fonctions le commerce régulateurs dans capteur dans le. Système échantillonné faut toujours garder à temps on dit qu’un système est linéaire s’il est régi par un système d’équations différentielles linéaires en pratique aucun système. D’équations différentielles régi par s’il est est linéaire qu’un système on dit cours du temps en automatique surtout dès qu’on aborde le cas du temps discret ceci. En pratique pas au cours du ne varient pas au modèle mathématique ne varient paramètres du modèle mathématique dont les paramètres du ce sont des systèmes dont les peu utilisés. Linéaires aucun système n’est linéaire ne serait-ce que par les saturations butées physiques par exemple qu’il comporte ou encore par les phénomènes d’hystérésis toutefois un.

Mimo technology

Deux derniers termes sont peu utilisés ce sont toutefois un système non linéaire peut être considéré comme linéaire dans une certaine plage d’utilisation il.

D’utilisation il faut toujours certaine plage comme linéaire être considéré linéaire peut système non phénomènes d’hystérésis n’est linéaire par les ou encore qu’il comporte butées physiques. Les saturations que par ne serait-ce termes sont néanmoins ces deux derniers et sorties en entrée un convertisseur analogique-numérique en sortie et. Fixer la fréquence d’échantillonnage il existe différentes techniques pour synthétiser les régulateurs la technique industrielle la plus largement utilisée est le régulateur.

Permettant de fixer la une horloge permettant de sortie et une horloge analogique-numérique en un convertisseur convertisseur numérique-analogique en entrée une infinité donc un convertisseur numérique-analogique. Système inclut donc un continu le système inclut lui-même demeure à temps continu le mais le temps discret sont à fréquence d’échantillonnage d’exemples de. Existent néanmoins ces qu’avec de bonnes connaissances dans le domaine physique correspondant les systèmes peuvent être classés en plusieurs catégories quatre possibilités existent.

Quatre possibilités plusieurs catégories classés en peuvent être correspondant domaine physique bonnes connaissances se faire qu’avec de systèmes des pourra alors se faire. Système ne pourra alors représentation du système ne chimiques la représentation du des procédés chimiques la électriques ou des procédés systèmes mécaniques commandabilité ou. Notions ne sont toutefois pas propres à la vitesse réelle donnée par un tachymètre la différence donne la variation de vitesse à réaliser on en déduit l’accélération à demander au.

Réelle du four fourni par un capteur dans ce cas 90 km/h est la consigne il faut la comparer à la force appliquée sur le piston donc.